Red carpet fashion sets tone at Grammys 2026

Sabrina Carpenter emerged as one of the night’s most talked-about figures, pairing her chart dominance with a carefully calibrated look that blended youthful glamour and high fashion restraint. Her floor-length silhouette, built around clean lines and subtle embellishment, reflected a broader shift among younger pop stars towards polish over spectacle. Stylists following the ceremony noted that Carpenter’s choice aligned with luxury houses increasingly favouring timeless shapes that translate well across digital platforms, where red carpet images now circulate within seconds to global audiences.

Fashion influencer Ejae reinforced that digital-first sensibility, opting for a sharply constructed ensemble that balanced couture detail with social-media-ready drama. Industry observers pointed out that Ejae’s presence on the Grammy carpet highlighted how influencers now occupy the same visual and commercial space as recording artists, often serving as intermediaries between fashion brands and younger consumers. Luxury labels have steadily expanded invitations beyond musicians to creators with significant online followings, recognising their role in shaping post-event narratives.

Sombr, whose rapid rise has mirrored the genre-blurring trends within popular music, leaned into an androgynous aesthetic marked by structured tailoring and muted tones. The look echoed a renewed interest in gender-neutral fashion on major red carpets, a movement designers say is driven by artists seeking authenticity over adherence to traditional dress codes. Stylists described Sombr’s appearance as emblematic of a generation less concerned with convention and more focused on personal expression.

Karen Wazen brought an international dimension to the evening, wearing a refined, jewel-toned gown that emphasised craftsmanship and elegance over excess. Her appearance illustrated the Grammys’ growing global footprint, both in its audience and in the fashion voices it attracts. With luxury houses increasingly targeting markets beyond North America and Europe, red carpet representation has become a strategic tool for signalling inclusivity and global relevance.

Justin and Hailey Bieber offered a study in coordinated restraint, favouring classic cuts that contrasted with the more experimental looks elsewhere. Their understated approach drew praise from fashion commentators who see a renewed appetite for longevity in celebrity wardrobes. Tailored jackets, fluid fabrics and neutral palettes dominated several high-profile appearances, reinforcing the idea that classic design remains a powerful counterbalance to trend-driven dressing.

Elsewhere, classic tailoring prevailed. British singer-songwriter Olivia Dean, who won Best New Artist, wore a two-tone Chanel gown featuring a sequinned black bodice and a voluminous white skirt, finished with refined detailing that recalled mid-20th-century couture. The look stood out not for extravagance but for balance, aligning Dean’s emerging musical profile with a sense of quiet confidence. Fashion analysts observed that established houses such as Chanel continue to use award ceremonies to reinforce heritage, craftsmanship and continuity at a time when the luxury sector faces shifting consumer expectations.

Across the carpet, stylists pointed to a clear narrative: fewer overtly theatrical costumes, more emphasis on fit, texture and proportion. Metallic finishes and heavy embellishment appeared sparingly, replaced by satin, silk and tailored wool. This recalibration reflects both economic realities within the luxury industry and changing celebrity-brand relationships, with many artists now favouring long-term partnerships over one-off headline-grabbing outfits.